Usnea Lebendig is a travel and landscape photographer who loves trekking in the wilderness, exploring other cultures, and using photography for social activism. For example, the 24-105mm F4 DG OS HSM is a 4.3x zoom, while the huge 300-800mm F5.6 EX DG HSM lens is a 2.6x zoom lens. The full-frame Sigma 60-600mm F4.5-6.3 DG OS HSM | Sports lens offers an incredible 10x zoom ratio covering standard to supertelephoto, plus 1:3 macro at 200mm with close-focusing a foot in front of the lens. This "normal" zoom begins at a wide 28mm and ends up being the world's smallest, most compact in its class. The Sigma 24-70mm f/2.8 Art lens is an excellent performer at its price point and a very reasonable alternative to the more expensive first-party options. When a manageable size and weight are more important than outright telephoto reach, the Sigma 100-400mm offers a good compromise between budget 70 … At six and a half pounds, it is a true all-rounder, ready for landscapes, distant wildlife, and even close-ups! Macro takes practice, and if you crave higher magnification than is offered at the far end of a the zoom, Sigma offers a line of pro-caliber prime macros offer true 1:1 (life-sized) magnification for even more close-up details. The same scene can quickly be seen many different ways with a zoom lens. The image quality holds its own, especially for its price point. Sigma offers a line of over 20 zoom lenses for DSLR photographers, ranging from wide angle zoom lenses, supertelephoto zoom lenses, and high-zoom ratio all-in-one lenses for both full-frame (DG) and APS-C (DC) digital cameras. Many pros rely on their 24-70mm for a huge part of their workflow and often avoid third-party lenses thinking they won’t hold up. At the time this article was written, you can buy the Sigma 10-20mm f/3.5 EX DC HSM for less than US$330. Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. Comparable lenses from Canon and Nikon do a bit better. The focal range, high brightness, and solid construction make this lens necessarily a bit large and heavy. If you haven’t worked with one before, the Sigma USB dock allows you to calibrate, update, and customize your lens. Sigma offers a line of over 20 zoom lenses for DSLR photographers, ranging from wide angle zoom lenses, supertelephoto zoom lenses, and high-zoom ratio all-in-one lenses for both full-frame (DG) and APS-C (DC) digital cameras. Well no, but it’s close and costs just a quarter of the price. To determine the overall zoom ratio of the lens, simply divide the longest focal length by the shortest. The 10-20mm zoom range is especially nice for landscape photography and astrophotography, and many real estate photographers never take this focal range off their camera. Definitely one of the best Sigma zoom lenses out there. EF/PL/E Mount; 35mm/APS-C; Max: t/1.5 Sigma offers many zoom lenses designed specifically for APS-C DSLRs. You can also send the lens in to have Sigma adjust it for free if you find the focus lagging, but the USB dock is actually a great investment, especially if you have more than one Sigma lens. Check the latest prices for: Canon | Nikon | Sony. Editor’s Note: This piece was originally published in 2014. This doesn’t feel as solid as an all-metal barrel, but is very robust and allows the lens to function in a wider variety of temperatures. The second is that you can have Sigma switch your lens mount if you ever change camera systems. It’s also almost half the price of both of these lenses. The zoom number, like, only shows the range from the widest to narrowest angle of view for that lens. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. SIGMA was determined to create a zoom lens that offers the same brightness and resolution as a fixed focal length lens: in other words, the highest level of optical performance and expressive power. TO THE CUSTOMERS. And many Sigma zoom lenses offer true macro capture at the telephoto end, for close-up capture of tiny objects, adding to the overall versatility. If you want sharper corners on this lens, you’ll probably need to stop down to f/8 or f/11. The build quality of this lens is nice, with some extra features that make it quite enjoyable to work with. If you shoot with an APS-C camera and are looking for a quality wide angle at a reasonable price, the Sigma 18-35mm f/1.8 DC HSM Art lens is one of the best third-party options available. Which Sigma zoom lenses are right for you depends on your photographic intentions, budgets, and overall size constraints. The optimum optical formula varies depending on the focal lengths, and the goal is to always design the best-performing lens possible within the design parameters. First to ship will be the … It’s one of the most common must-haves in a photographer’s kit. There’s also no weather sealing and the fact that it gives onion-shaped bokeh that might not appeal to everyone. Still, these are hardly deal-breakers when you consider what this lens delivers. The first result of this challenge was the SIGMA 18-35mm F1.8 DC HSM | Art. Two Super-Low Dispersion glass elements and two Extraordinary-Low Dispersion elements keep chromatic aberrations and barrel distortion to a minimum. Still, it’s fast and accurate. If you’re into high-quality primes, this is definitely one of the best sigma lenses to have in your kit. There’s very little distortion, and what does exist, can be quite easily managed in post. With a constant maximum aperture of f/3.5, the Sigma 10-20mm f/3.5 EX DC HSM is fairly fast for a wide-angle zoom. From zoom lenses to primes, Sigma’s really upped its game in the last few years, and there are now more options than ever. So if you’re looking for a great, high-performing lens at a fraction of the price, you can’t really go wrong with a Sigma lens. All Rights Reserved. (It is common practice to round to the nearest whole number or major fraction.). The weight is one, of course. The Sigma 10-20mm f/3.5 EX DC HSM has been around for a few years, but its solid performance combined with its excellent price tag keep it high on the “Best Sigma Lenses” list for APS-C shooters. Aperture Sigma 60-600mm F4.5-6.3 DG OS HSM S is a variable aperture lens with a max aperture of f4.5 and a minimum aperture of f22 at 60mm, and a max aperture of f6.3 and minimum aperture of f32 at 600mm . Same goes for off-camera strobes—there doesn’t need to be any adjustments as you zoom to recompose with a constant aperture zoom lens. What’s most important is to choose the focal length and depth of field that will best capture what you are trying to say with your image. These elements help to minimize coma flare and chromatic aberrations. Also, the Otus is manual focus only, which doesn’t work for many. And every DG lens for full-frame cameras will mount on the APS-C DSLRs in that same mount, too. The 50mm prime lens is the quintessential “mama bear” prime lens – not too wide and not too narrow. There are also 9 rounded diaphragm blades, which really make for some excellent background blur when shooting at a shallow depth of field. (But again, the dock is a great investment and will tune just about all modern Sigma lenses.). It outperforms the Canon 50mm f/1.2L, yet costs half the price. There’s also an additional protective coating on the front element. In fact, the Sigma 35mm f/1.4 DG HSM Art lens easily matches and even beats the Canon 35mm f/1.4 for sharpness across the whole frame, no matter where you are in the aperture range. I alreay own two of them with canon mount. Inside there are 13 elements in 8 groups. One thing of note with this lens is that it can handle the higher resolution cameras (not all glass can). That means you’ll be able to use this lens far into the future since high-resolution cameras are quickly becoming the standard. The main cons with this lens are the weight, the lack of weather sealing and the potential need to invest in the USB dock to fine-tune the autofocus to your camera. DG. In April 2020, it was revised to include updated product information and links, mirrorless zoom lens information etc. Its 16.6x zoom ratio covers all focal lengths from wide to telephoto, and the optical stabilizer counteracts camera shake. For that, you need the focal length, like m, 1m, etc. About Contemporary line That might not seem like much, but it can make a huge difference when shooting landscapes or other subjects that require a wider angle. Enjoy the high resolving power of Sigma UC lenses. Great optics. It has weather sealing, nearly all-metal construction, and where it’s not metal it’s built from a thermally-stable composite material, which lets you shoot in a wide variety of temperatures. It basically covers the focal length of three prime lenses and maintains sharpness throughout. Zoom lenses are designed to offer the photographer a great deal of flexibility in composition and framing without ever having to change lenses, or even physical position, for that matter. Check out the full lineup here. The Sigma 18-35mm F1.8 DC HSM is the world’s first F1.8 zoom lens for APS-C DSLRs and offers image quality that surpasses top-shelf prime lenses in independent lab testing. Perhaps the "Green Giant", the Sigma 200-500mm f/2.8 EX DG IF Power Zoom Lens, has your name on it. It also has a full-time manual override. An excellent performer for crop sensor cameras! earn much more about how, when, and why to use OS. And when it comes to full-frame lenses on APS-C DSLRs, the smaller image circle means that the image is captured with incredible sharpness from the center section of the lens. It’ll be more noticeable if you shoot in JPGs. m, it is a prime lens and doesn t zoom at all, but generally offers superior sharpness, depth of field control, and light-gathering ability. (We’ll let you do the math on this one!). It’s easily fixed in post, but it’s definitely there. Like the Sigma 24-70mm f/2.8 Art lens, the Sigma 18-35mm f/1.8 DC HSM is partially made from thermally stable composite. Each type has its strengths and purposes, depending on what is most critical to the photographer. That’s quite a feat for a third-party lens! The products in this post may contain affiliate links. The overall autofocus performance will depend on what camera body you’re using – but in general, the Sigma 24-70mm f/2.8 responds as quickly as any first-party lens. Of course, as you zoom in or out and recompose, the overall feel of the image can change dramatically, as a lens goes from a wide field of view to standard, or a standard field of view to supertelephoto. When you need to frame a subject tightly and can't get closer, due to physical barriers, a subject that does not tolerate closer or for safety reasons, you might want a 500mm lens.When sharpness is amazing (great for real estate photography). So, for example, the 120-300mm F2.8 and the 24-105mm F4 are both constant aperture zoom lenses. And the Sigma 18-300mm F3.5-6.3 is a wide to telephoto zoom lens with a very high zoom ratio. Get answers to your questions in our photography forums. DN 16mm F1.4 DC DN. Learn much more about which Sigma lenses fit which camera systems here. Multi-layer lens coating reduces flares, ghosting. The Sigma 50-100mm 1.8 DC HSM Art is a premium mid telephoto zoom lens designed for APS-C sized sensors. The lens itself is comprised of 17 elements arranged in 12 groups – five low-dispersion and four aspherical elements. There’s practically no distortion, next to no chromatic aberration, and the color rendition is so superb it seriously rivals many far more exotic lenses. Please note there will be a £65 surcharge for the Highlands and Islands of Scotland Select the day you would like your transportation cases delivered IMPORTANT : Please fill in an … Sigma 40mm T1.5 FF High-Speed Prime Lens. MOUNT CONVERTER MC-11 / MC-21. If you’re someone who focuses on the center and then recomposes, you might end up with slightly soft corners while wide open (due to field curvature). Its 16.6x zoom ratio covers all focal lengths from wide to telephoto, and the optical stabilizer counteracts camera shake. No matter whether you shoot with Canon, Nikon, Sony, Pentax, or Leica, there’s likely a great Sigma lens out there for you. It’s a bit larger than its slower cousin, the popular 10-20mm f/4-5.6 EX DC HSM, but the faster aperture makes it well worth it, especially when doing astro or real estate photography. Like the other Sigma lenses on this list, you may have to adjust the autofocus using the Sigma USB hub, but even with the extra US$60, this lens is a steal. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. In fact, the real clincher for this lens is its price. Additionally, many DSLR zoom lenses can be adapted to L-mount and Sony E-Mount cameras. Now, though, Sigma is stepping into the big leagues with its pro-level Art series. For years Sigma has been one of the best third-party lens developers for photographers on a budget. Considering the Sigma 35mm f/1.4 is fully half the price of both the Canon and even the Nikon 35mm f/1.4G, it’s simply incredible. If you’re ok with the weight and size, though, this is definitely a fantastic buy. The best all-round Sigma prime lens. Our site uses cookies. For photographers who want to shoot wide-open, in manual exposure mode, this also means you won’t be underexposing your shots as you zoom out, since the f-stop remains constant. Center performance at the maximum aperture of f/1.4 is far higher than many other lenses stopped down to f/8! A single zoom lens such as the 18-250mm can cover wide-angle to telephoto, plus macro in a single lens, when traveling light with maximum versatility is the demand. Sigma 50mm f/1.4 DG HSM Art Deals. Perfect for DX shooters on a budget. Sigma manufacturers several multi-puirpose lenses, including the 18-300mm, 18-250mm and 18-200mm. The 35mm is a staple in the world of photography and Sigma truly knocked it out of the park with the Sigma 35mm f/1.4 DG HSM Art lens. So, you can have a wide to short telephoto zoom lens with a higher overall zoom ratio than a telephoto to supertelephoto zoom lens. Sigma 150-500mm F5-6.3 DG OS HSM is an Auto Focus (AF) Telephoto Zoom lens with 35mm FF max sensor coverage and it is designed to be used with Pentax KAF3 mount cameras. Sigma designed it to have a large lens diameter in order to maximize sharpness and reduce vignetting. Which Sigma zoom lenses are right for you depends on your photographic intentions, budgets, and overall size constraints. By developing a whole new 4 group It’s honestly too bad that heavy vignetting makes it unfit for full-frame bodies. Zoom is also commonly confused with how close a lens can bring a subject. These tripod collars are paired with the lens because the tripod collar indicates where the center of gravity of the lens and camera resides. Great for both professionals and advanced amateurs. Sigma 35mm f/1.4 DG HSM Art. The benefits of this trade-off include more compact lens designs and higher zoom ratios. The glass is Special Low Dispersion (SLD) and has Sigma’s trademark Super Multi-Layer Coating on the external element. Really, you’ll be amazed at the images that come out of this lens. One weakness with this lens is that the vignetting can get pretty noticeable when the lens is wide open. But lenses like the pair of 10-20mm DC zooms and the 8-16mm F4.5-5.6 ultrawide zooms offer APS-C photographers incredibly wide fields of view that equate to the widest rectilinear fields of view for full-frame ultrawides. Capture sharp and highly contrasted images using the fast autofocus lens that's powered by the ultrasonic motor on this Sigma macro lens. There are a few other perks to buying Sigma lenses (beyond big price savings). 99 A zoom lens allows for quick and easy re-framing of a scene while staying in the same physical position. On a full-frame DSLR, the size and weight feels well-balanced, but if you’re looking for something super light, this isn’t the lens for you. (Again, Sony users will have the advantage here.). Contemporary. In this article, we are going to explore many facets of zoom lenses for digital photography and explain the terminology, key features and benefits of the different types of zoom lens. Incorporating the very latest technology in these lenses, SIGMA has solved the difficult problem of keeping size and weight low without compromising on advanced optical performance or utility. With a new design, the … At the telephoto end of the focal range, the high brightness makes for some excellent background blur. The autofocus is nice and snappy, though not as quiet as the newer Sigma lenses with a hypersonic motor in them. The Sigma 24-70mm f/2.8 comes in both DSLR and Mirrorless versions, with the mirrorless version having very little direct competition in the same price range. Many of the larger Sigma lenses ship with tripod collars. As is typical of these types of prime lenses, there’s no optical stabilization. Sigma also applied a super multi-layer coating to suppress lens flare and ghosting.

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